An Excerpt from The Return of the Prodigal Son: A Story of Homecoming by Henri J. M. Nouwen (1932-1996)
The Return of the Prodigal Son is an oil painting by Rembrandt. It is among the Dutch master’s final works, likely completed within two years of his death in 1669. – http://en.wikipedia.org/wiki/The_Return_of_the_Prodigal_Son_%28Rembrandt%29
In this extraordinary book, Henri J. M. Nouwen offers his rich treasure trove of insights into Rembrandt’s painting The Return of the Prodigal Son. Here is an excerpt on love.
Searching Where It Cannot Be Found
“At issue is the question: ‘To whom do I belong? To God or to the world?’ Many of my daily preoccupations suggest that I belong more to the world than to God. A little criticism makes me angry, and a little rejection makes me depressed. A little praise raises my spirits, and a little success excites me. It takes very little to raise me up or thrust me down. Often I am like a small boat on the ocean, completely at the mercy of its waves. All the time and energy I spend in keeping some kind of balance and preventing myself from being tipped over and drowning shows that my life is mostly a struggle for survival: not a holy struggle, but an anxious struggle resulting from the mistaken idea that it is the world that defines me.
“As long as I keep running about asking: ‘Do you love me? Do you really love me?’ I give all power to the voices of the world and put myself in bondage because the world is filled with ‘ifs.’ The world says: ‘Yes, I love you if you are good-looking, intelligent, and wealthy. I love you if you have a good education, a good job, and good connections. I love you if you produce much, sell much, and buy much.’ There are endless ‘ifs’ hidden in the world’s love. These ‘ifs’ enslave me, since it is impossible to respond adequately to all of them. The world’s love is and always will be conditional. As long as I keep looking for my true self in the world of conditional love, I will remain ‘hooked’ to the world — trying, failing, and trying again. It is a world that fosters addictions because what it offers cannot satisfy the deepest craving of my heart.
” ‘Addiction’ might be the best word to explain the lostness that so deeply permeates contemporary society. Our addictions make us cling to what the world proclaims as the keys to self-fulfillment: accumulation of wealth and power; attainment of status and admiration; lavish consumption of food and drink, and sexual gratification without distinguishing between lust and love. These addictions create expectations that cannot but fail to satisfy our deepest needs. As long as we live within the world’s delusions, our addictions condemn us to futile quests in ‘the distant country,’ leaving us to face an endless series of disillusionments while our sense of self remains unfulfilled. In these days of increasing addictions, we have wandered far away from our Father’s home. The addicted life can aptly be designated a life lived in ‘a distant country.’ It is from there that our cry for deliverance rises up.
“I am the prodigal son every time I search for unconditional love where it cannot be found. Why do I keep ignoring the place of true love and persist in looking for it elsewhere? Why do I keep leaving home where I am called a child of God, the Beloved of my Father? I am constantly surprised at how I keep taking the gifts God has given me — my health, my intellectual and emotional gifts — and keep using them to impress people, receive affirmation and praise, and compete for rewards, instead of developing them for the glory of God. Yes, I often carry them off to a ‘distant country’ and put them in the service of an exploiting world that does not know their true value. It’s almost as if I want to prove to myself and to my world that I do not need God’s love, that I can make a life on my own, that I want to be fully independent. Beneath it all is the great rebellion, the radical ‘No’ to the Father’s love, the unspoken curse: ‘I wish you were dead.’ The prodigal son’s ‘No’ reflects Adam’s original rebellion: his rejection of the God in whose love we are created and by whose love we are sustained. It is the rebellion that places me outside the garden, out of reach of the tree of life. It is the rebellion that makes me dissipate myself in a ‘distant country.’
“Looking again at Rembrandt’s portrayal of the return of the younger son, I now see how much more is taking place than a mere compassionate gesture toward a wayward child. The great event I see is the end of the great rebellion. The rebellion of Adam and all his descendants is forgiven, and the original blessing by which Adam received everlasting life is restored. It seems to me now that these hands have always been stretched out — even when there were no shoulders upon which to rest them. God has never pulled back his arms, never withheld his blessing, never stopped considering his son the Beloved One. But the Father couldn’t compel his son to stay home. He couldn’t force his love on the Beloved. He had to let him go in freedom, even though he knew the pain it would cause both his son and himself. It was love itself that prevented him from keeping his son home at all cost. It was love itself that allowed him to let his son find his own life, even with the risk of losing it.
“Here the mystery of my life is unveiled. I am loved so much that I am left free to leave home. The blessing is there from the beginning. I have left it and keep on leaving it. But the Father is always looking for me with outstretched arms to receive me back and whisper again in my ear: ‘You are my Beloved, on you my favor rests.’ ”
Book available @ http://astore.amazon.com/stressfreel07-20/detail/B00G8ELSM6